The way we dress is an expression of our self image.
While looking at the clothes people wore in the past, we also see the ideals of their
times

Queen Amalia, oil on canvas, N. Lytras, 1893

The Costume of the 1800s

In 1837, the arrival of the first queen of Greece in Athens, Queen Amalia, was a milestone in the evolution of costume.

Woman in the costume of Queen Amalia, from an albumen print, 1855-58, Hellenic Literary and Historical Archive Society, Athens

An intelligent woman, she soon realized her attire ought to emulate that of her oddly dressed people; and so, she created a romantic folksy court dress, what it became a national Greek costume still known as the Amalia dress.

It follows the Biedermeier style, with a kaftan (kavadi) top over which is worn a richly embroidered jacket. It was completed with a cap or fez, traditionally worn by married women, or with the kalpaki (a toque) of the unmarried woman, to which was added the black veil donned by Roman Catholics for going to church.

This dress became the usual attire of all Christian townswomen in Turkish-occupied as well as liberated Balkan lands as far north as Belgrade.


Local costume held its own in villages situated in the plains, on the mountains, and by the sea-coast.

It was indeed at this juncture that they seem to have ceased evolving, just a short while before they began to be abandoned, in the face of the second and more powerful wave of western fashion: the fashion established by Queen Olga (from 1864 on), in alliance with the Greek industrial revolution which, in the case of clothing, was marked by sewing mashines, fashion periodicals and embroidery pattern books, and most importantly by the schools that taught cutting and dress-making skills.

Right: Bride's costume, Attica, c. 1890, Museum of Folk Art, Athens


Bride's costume, Attica, c. 1890
King Othon, oil on canvas, N. Lytras, 1892

Man's Costume

In the Peloponnese, Attica and generally Main Greece men wore the foustanella, a pleated white skirt that has prevailed as the official Greek man's costume.
The Greek warrior of the revolution against the Ottoman rule/occupation (1821) adopted the foustanella and later on it became the official dress of King Otto's court.

Today we see men wearing this costume on certain celebrations, national holidays and by the soldiers/members of the special regiment (euzonoi).
from the costume collection of the Peloponnesian Folklore Foundation

Left: Costume once belonged to an Aid-de-Camp of Capodistria, First Governor of Greece.
Museum of Popular Art, Nafplio, Greece.

Special features of this costume are the long foustanella and the silk turban worn by the wealthy around their fez. Over the red silk sash men wore a gold selachi finely embroidered.

This particular costume has three jackets: the inner ghileki, second the fermeli with sleeves worn properly (not thrown over the shoulders), and the fermeloto guileki worn on top.


Man in foustanella and woman in Amalia costume, Albumen print c. 1870, L. Kostakiotis collection, Athens
From the album entitled The first International Olympic Games in Athens 1896, albumen print, I. Lambrakis collection, Athens
Spyros Louis (1875-1940),
Marathon gold medalist, 1896.
Woman in costume composed of various elements from Argolid, c. 1880, albumen print, Beanki Museum, Athens

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